Monthly Archive for August, 2006

SC: Oh shit, now what?

Alright, so like I mentioned, I got this brief yesterday… two plots totalling 22,222.2 square meters on the resort island of Sentosa, owned by the government and facing a marina with 204 wet berths, including “10 specifically designed for mega-yachts,” a maximum of 170 units with a height limit of 18.8 meters.

I’ve got a book of guidelines, lots of promotional materials printed on nice shiny paper (literally, fine glitter is embedded in the paper), and a big-ass blank plot, and I need to pump out a master plan and a massing model by Friday.

Update! So we did some calculations: at a gross plot ratio of 1.2, we can have 26,666.6 square feet total, 90% of which is residential space. That works out to an average of 141 square meters per unit, or 11 towers of 4 floors, 4 units per floor. It’s going to be damn tough to make those 11 towers ridiculously luxurious while also keeping architectural efficiency in check and spending as little money as possible, while also considering “the view” (= god) and sun orientation, plus make it look “tropical mediterranean.” Whew.

Sentosa Cove Design Philosophy

From the brief for the condo master plan I just got assigned (located on an artificial penisula/bay on Sentosa Island, just off the southern coast of Singapore):

“Sentosa Cove was first conceived to emulate the romance and fantasies of renowned waterfront resorts and towns in the Mediterranean, the Austrailian Gold Coast, and Southern California.”

Dammit Singapore, this is why everyone says you’re boring. Come up with your own identity!

But wait, it gets better!

“Envisioned in the Sentosa Cove Master Plan is a vibrant development with a deep regard for a unique ambience that values visual consistency and creative diversity. Three key areas were carved out in the Master Plan […] all seek to articulate a sense of vitality and originality through the careful implementation of guidelines.” (emphasis mine)

Suddenly, a paradox! “Visual consistency” and “careful implementation of guidelines” don’t go with “unique ambience,” “creative diversity,” and “vitality and originality.” Yet, they’re telling us to do the former in order to get the latter.

Finally, the prescribed roof materials:

“Permitted roof angles range between 20 deg (min) to 30 deg (max). Permitted materials for pitch roofs are restricted to the following: 1. unglazed clay tiles, 2. slates, 3. high-grade wood shakes or singles, 4. concrete with finishes that resemble clay, slates, or wood. All pitch roofs are to be of rustic and earthy colors. (emphasis mine)

I won’t list ‘em all, but rest assured the guidelines touch “mainly on plot ratio, building setback, building height, roof design, external materials and external colors.”

Boon said that, architecturally, Singapore is 10-15 years behind the times, but it looks like they’re right up there with luminary cities like notoriously boring Irvine, CA.

Folks, jobs like this pay the bills with one hand and steal the soul with the other.

G-Park Comp Packet

Here’s some of the stuff I did for the G-Park Condo Competition info book, which I’m going to post here because otherwise only a few dozen people would see it! (The original book is A3 size—AKA “Tabloid” size—so the images here are way reduced.)
This is the original cover I designed, based on a render from a Sketch-Up model that Diego did:

Original G-Park Condo

I call this the “Black Cherry” scheme.

G-Park Cover, Rev 2

This is after Diego told me to lighten the mood and stuff like that. I call this the “iPod Scheme.” I like the original better, but I guess this is more peaceful and so on.

G-Park Info Book, Table of Contents

Here’s the Table of Contents. It a solid silhouette to emphasize the mass and presence of the building. It’s green because one of the selling points of the project is its verdant landscaping, not to mention it’s a comforting color with positive associations for a condo.

G-Park Info Book, Typical Divider

Here’s a typical section divider page. It’s a reverse-silhouette of the perspective shot from the cover page, to reinforce the building’s distinctive cantilevered towers and clean outline.

Lunch with the boss

Today Jean-Marc and I had lunch with Boon (the principal). We ate chicken rice and talked for about two hours (albeit Boon did the majority of the talking).

J-M and Boon chatted awhile about Rice U., then we talked about how architecture is increasingly becoming just fashion; his main concerns seemed to be about predicting the next worldwide fashion (he’s thinking along the lines of “nothing parallel except the floor” and argued that technology just has to make it financially possible—I think the problem is that whatever shape you cut, unless it’s got four perpendicular angles there’s going to be material wastage and thus money burned). He talked about the situation realistically—his point, basically, was that architecture is essentially like any other industry that puts out a design product, in the sense that it’s just about playing the market and people’s tastes. That’s kind of depressing because once architecture’s divested of its “higher purpose,” then the ratio of pain to gain isn’t as favorable as other industries.

Then we talked for a long time about the merits of starting your own company from the ground up versus joining a Big-Ass Corporation Firm like SOM, HOK, KPF, and other TLAs. He tried to act like he was impartial “as long as you’re happy,” but obviously he was arguing for BACFs and I was arguing, kinda, for starting a new company. His points were basically 1) a BACF is going to have way more clout than the small guy when it comes to getting big projects, 2) at a BACF you can get going immediately because a BACF already has libraries of corporate standard details, legal documents, and other routines, and is already staffed with other talented people who know what they’re doing, 3) a BACF will live on without you while a personal firm will likely die with its founder, and 4) a BACF has the mass to compete internationally whereas a personal firm increasingly has a chance in hell of being important. His grand point was that the probability of hitting the big time and growing into a world-famous firm was next to nothing compared with the probability of either failing completely or failing to become significant; meanwhile the rewards of working at a BACF are virtually assured. That is, the risks are immensely smaller and the rewards are more immediate and more likely with a BACF. All of this is inarguably true.

Boon’s secondary argument against starting one’s own firm with the idea of hitting it big is that “all the ‘next big things’ in architecture have been discovered already,” and so it’s practically impossible to become famous by doing something “new.” Though I see where he’s coming from, I think that’s ultimately just plain wrong. Doing something “new” is valued because it wasn’t obvious; meanwhile, I don’t think it’s possible to run out of “new” things to do, because both technology and culture perpetually change and advance. We can’t run out of “innovation” because it’s an intrinsic human ability, not a quantity; it’s the same as saying that we can’t run out of the ability to breathe.

So, my counter argument is: if all I wanted out of architecture was a simple career, I’d probably be better off in some other field anyway. What I want out of architecture is everything: fame, fortune, influence, power, prestige, and a personal legacy. The gamble is that only by starting my own firm can I even possibly attain international levels of the above—while these things are more likely at a BACF, the degree which they’re attainable is far less. SOM, HOK, and KPF have all been around for decades and literally built hundreds of projects, totaling billions of dollars. Do they have their own El Croquis? Hell no! (Getting published in El Croquis = making it) Thing is, the BACFs and the people working for them might get to work on huge projects, but does anyone love the work of BACFs? No. SOM, HOK, and so on are like the Toyotas of the architectural world: reliable, rich, and high-quality, but “safe” and passionless. Of course the chance of failure is frighteningly immense, but who wants to live a safe life when you’ve only got one chance to make life worth it? Moreover, why enter a field if you don’t intend to be the best?

Anyway, I really appreciated the fact that Boon took the time to have lunch with us. It’s not often that the principal of a multi-national firm gives a shit about the interns! Boon’s unique in that really cares about the education of the young people in his firms. Yeah, of course there’s something in it for him—we’re working for him, so it’s to his advantage to make sure we know our assholes from a hole in the ground. But, the fact that he takes the time to do it himself is really something. He’s got a lot of things I want: the power, the clout, the unbelievably slick social skills, and most of all, happiness with what he does. Of course I intend to shut up and listen—that’s why most of my rebuttal is here on this blog instead of right back at him. (Yeah, I’ve learned a bit of tact over the years.)

They look like HDB owners

Today the boss came by to look at the renderings for our condo project. He told us to replace the people, saying that they “look like HDB owners.” What he means, of course, is that the people didn’t look rich enough. (Housing and Development Board flats house the bottom 85% of Singapore’s population; the top 15% usually live in exclusive townhouses and luxury condominiums, such as the development we’re proposing.)

He also looked at our pool rendering and told us to add bikini girls.

new rendering, with bikini girls and rich people

(Incidentally, the next time you come across an architectural rendering… notice that there aren’t any black people. Shiny buildings live in a rich white world.)